How Much Should I Pay For A Sprinkler System

Bari - Rimini 2-2 (Big party Ultras)

A Bari is a continual feast!

After the prizes in derbies and amusement of Lecce, the red and white chocolates offer for one hour (absolute dominion and Scaglia and Santoruvo delicacies), Ultras go into raptures in the week of their thirtieth anniversary (the club was founded in 1976). Then, sated and drunk because foaming, s'incartano and invited to the banquet also Rimini. I thank Romagna (networks and Cascione Moscardelli in the final quarter of an hour) and leave with a kindly donated. For Bari, then, instead of the gift, get a meager satisfaction to have played the best game of the season (final part). In the chest of the B series, which now seems to weigh the points acquired: four lengths from the area playoffs (not two) to the pre-Christmas eve of the match against Genoa's Marassi, on Friday at 20.30. Sweet beginning: The beginning is sweet Scaglia marks. At 6 'Santoruvo performs in a dribbling as to goggle. The movement of Bitonto (deaf to criticism, is ringing a bravura line) stunned Milone. The diagonal, from a tight angle is intercepted by the goalkeeper Handanovic, but the ends riveted feet dell'accorrente Scaglia. Easy touch that is as good as 1-0. Not at all satisfied, 9 'Hooks goes to the right and puts in half. The defense Romagna is in trouble again. Baccin intervenes and sends the ball on the pole touching the goal. The opening is so loud there was not time to reflect on the choices of Maran, who on this occasion, the absence of Bellavista and accomplices Micolucci for disqualification, the changes since the last training uscita.Maran surprising: there BelmonteLe changes, however, does not only concern Mora (left outer defense) and magpies (vertex of the triangle down in midfield). Besides Fusani, there Rajcic, as Carrus not recover (Not even on the bench, where it appears Bovo), while the right rear back Belmonte, which gives another chance after the technician's error against Brescia (Possanzini let out at the equalizer Lombard) . It also lacks Tabbiani: Hooks on the right acts, which together with a scale, it will be one of the thorns in the sides of Rimini. The provision does not breathe guests. Bari is a rock almost impenetrable, even since it was a state athletic invidiabile.Santoruvo, Rimini The second candle is stunned. At 24 'Handanovic wrong exit, the ball is going to carom into the net, but there is a resolute intervention before it is too later. It is the doubling of the skirmish, which comes, as often happens (the last time against Spezia), at the set piece. Scaglia is flying from left to 25 '. This time it Rajcic to slip between markers. The header was parried by the goalkeeper, but the trajectory is rejected in the range of Santoruvo. The striker pounced like a hawk and places the second candle (the fifth season for him). The percentage achieved impressive of Bari, as ruthless as in the previous round (the doubling of hooks Lecce came on the half hour, this time it's a done deal with five minutes early). Amaro Puglia for Acori Acori, the first day the coach who had earned compliments for how he had managed to stop Juventus, who is under observation by the Presidents who like technical climbing, do not know how to get on. It could change a man, perhaps to modify the form (since it is largely in the Bari and superiority in the field of master-go). Instead, the first alternate position Valiani and Pagano (the first goes to the left, second right in line with three assists Jeda that), then replace (41 ') and puts in the former Bari Moscardelli as a terminal (it will be decisive) , moving the Brazilian left. In fact, the Rimini is too shy, even when the opponent concedes to approach. In practice there is only one possibility for Jeda, who goes to Gervasoni as did Oswald. Only when the 36 'jumping area in the Belgian goalkeeper, Brazilian thinks is best jump to win a penalty. The referee warns him Marelli for simulation. Pianu hungry, but eating a golIl Bari falls from the locker rooms with the intention to permanently close the accounts. Could do it after forty seconds left on the piece (this time a corner), but Pianu, all alone in front of the door, the wrong direction by sending incredibly flat right side. The mistake of those who can pay, but the Gillette 52 'prevents Moscardelli (Ricchiuti's cross) of halving the disadvantage and reopen the game. The ball, the attacker smashed a header from close range, and tapping with his feet. Foiled the threat, the less obvious opportunities Bari grants (to 65 'Moscardelli is far from the poles when trying to center them with the right, at 70' is too Ricchiuti defiladed to catch the corner of the head). Then, ten minutes after leaving the field of hooks (enter Tabbiani to 59 '), who does not like (the companions comfort you and that's it), the Bari facelift. Bari has a full belly: here comes the beffaQuasi believe to be impenetrable, the Apulian give up a little 'grip. They have a full belly. They sit and they are a bit 'too much to watch. When Acori (who had already put the rate for Cristiano 60 ') finally decided to revise the strategy, the reborn Rimini. In fact, at the same time Esposito (out Belmonte), the technical part of Rimini (69 '), Vitiello (a defender) instead of Valiani. It seems a contradiction, but is not. Baccin passes in midfield, joined the new (right) and Regonesi (from left) are starting to push to turn. In practice, switching to a 3-4-1-2 (with rich behind Moscardelli and Jeda). The changing face of game. Jeda, hitherto almost untouchable, the 76 'goes to the right and put in the middle, where check Cascione: 1-2. But the difference is made Moscardelli. In the last quarter of an hour, the Bari lost the compass (the test all: change positions, form men for Bovo Rajcic 85 '), but now the comeback of Rimini is unstoppable. The joke reaches 88 '. Regonesi's cross from the left, Cascione favors the header of 2-2 signed by Moscardelli.

G. Flavio Campanella

BARI (4-2-3-1): Gillet, Belmonte (24 'st Esposito), Pianu, Gervasoni, Mora, magpies, Fusani, Rajcic (40' st Bovo), Hooks (14 'st Tabbiani ), Scaglia, Santoruvo. (Aldegani, La Vista, Neary, advantage). Herds Maran.

RIMINI (4-5-1): Handanovic, Baccini, Peccarisi, Milone, Regonesi, Cascione, rate (15 'st Christian), Pagano (40' Moscardelli), Ricchiuti, Valiani (24 'st Vitiello) Jeda. (Pugliese, dam, Bravo, Bischeri). Herds Acori.

Referee: Marelli Como.

Networks: in pt 5 'Scaglia, 25' Santoruvo; in the 31 st 'Cascione, 43' Moscardelli.

Corners: 4-2 for Rimini. Recovery: 2 'and 4'.

Booked: Gervasoni for foul play, magpies and calf to play non-regulatory Jeda simulation.

Attendance: 6,620.

shame as he came, because we were ahead 2-0, but all in all a good balance.

Bella also zagnissima Ultras after party, where I was confused between paw and do not smoke: D

next time ... ;)

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pure ecstasy!

I let the photos speak only ....

16.12.2006

THANKS GUYS!

Aloe Vera For Frozen Sholder

Bari-Modena 1-0

Better late than never. After winning the misery of two points from their last four games, but without achieving even one goal, to win back the Bari from Modena to the extent of the San Nicola stadium. It was not an easy game for the red and white, they had an obligation to make full result not to lose contact that leads to the train departing playoff.Maran waiver surprisingly Gazzi, returning captain Bellavista in his natural role. Milani is finally owner, the former duty Fusani play from the first minute as Gervasoni returning to central defense in place of the Esposito.Sin from the start it is clear that race will be full of emotions. The hosts have the ball in the game, but they are of gialloblù Zoratto to touch the lead with a header from a corner Antonazzo developments: Gillet performs the first miracle. The Bari pushes firmly on the right wing, Milani is a thorn in the side for a couple of times and is the center of the assists that Massimo Ganci not making delicious, especially the half-hour when it takes off incredibly flat from close range. The white and red striker made amends five minutes later, when more on the right gets a tempting free kick. Beating Scaglia, Santoruvo header, but rejects Frezzolini developments of the William Pianu (Gillet after the match) can find a way right and realized with a touch undersized a goal that was missing for over four hundred minutes. The advantage galvanizes the four wing first and then with Fusani Milani nearly doubling with two conclusions from the edge of beautiful. In the second half Modena test everything and after a few minutes Zoratto Sforzini inserts to give more weight to the offensive department. But the game could already be closed if Scaglia, two minutes before, had not a goal that seemed incredibly wrong already. At 62 'Maran choose the fantasy of a Near instead of the tired Hooks. Guests continue to push for research and also the 66 'claiming a penalty (which maybe was) a question of intervention on Colacone Bellavista, launched in the network. 84 ', however, really get the maximum punishment: Sforzini takes a sure shot, Gervasoni rejects ravvicininatissima away from the hands and the referee indicates the disk without hesitation. Sforzini is not the designated penalty taker, but ignores the "team orders" and insists on the penalty kick: fatal error, because the attacker becomes hypnotized by Emilian Gillet who does a super real feat by dismissing the big body to throw his left. The San Nicola bursts of joy for his goalie idol, Bari counterattack has the great opportunity to deal the knockout blow, but fails miserably Carrus from close range to score a time of confirming the former as not really exceptional. There is still room for a thrilling final at the end Gervasoni svirgola Gilioli mistaken for a reference and a whiff of a goal a game beffa.Finisce so nice after all, who deservedly won the Bari. The three points are pure oxygen for the men of Maran, especially on the eve of a triptych in thrilling races: the Derby in Lecce on Saturday, the strong Rimini to San Nicola Tuesday and the tricky trip to Genoa before the holidays natalizie.Il role of red and white in this league will definitely be more clear between 270 minutes: the hope the fans is that the market in January to bring Bari those reinforcements would allow him to make the leap and actually fight for more ambitious goals of salvation. Hope, you know, it costs nothing ...

BARI (4-2-3-1): Gillet; Milani, Pianu, Gervasoni, Micolucci; Bellavista (43 'st Gazzi) Fusani; Hooks (17' st Neary), Carrus (43 'st Rajcic), Scaglia; Santoruvo. (Aldegani, Mora, La Vista, ahead).

Herds Maran.MODENA (4-3-3): Frezzolini; Antonazzo, Frey (33 'st Perna), Hungarians, Tamburini; Campedelli (36' st Gilioli) Luisi, Tisci (7 'st Sforzini) Abate, Colacone, Bentivoglio. (Narcissus, Lazzari, Archie, Troy). Herds: Zoratto.

Referee: Iannone of Naples.

Networks: in pt 35 'Pianu.

Corners: 9-2 to the Modena.

Recovery: 1 'and 4'. Booked: Hungarians and Abate for foul play.

Notes: Gillet has saved a penalty kick in Sforzini to 39 'st.

Attendance: 5,353 for a revenue of € 30,572.00.

Pending Lecce) ........................................ At ............ next ... ;)

Cardrecovery Repidsharee

Notiziuncole various events:) The story of Griffin

Soul Makossa hosts Papa Wemba

December 2 at Pala Martino

Another event for the seventh edition of Soul Makossa Interethnic Festival 2006 of Music and Theatre. On December 2 at 21:00 Papa Wemba concert at Pala Martino. Singer creates a new aggressive extrovert afro pop called "Rhumba Rock." The event is organized by Abusuan, the Department dlla the Mediterranean Region of Puglia, the Department of Culture of the Province of Bari and the Department for Culture and Religions and the Trade of the City of Bari

Christmas Show the balloon

A Japigia from 26 November 2006 to January 6, 2007

Al Bari Japigia Mall balloon is almost Christmas! From Tuesday, November 21 to January 6 in the gallery at the Mall Balloon Japigia was an exhibition of Christmas. Features works of craft, nativity scenes and amusing Christmas revive the tradition-bound tunnel. Produced in collaboration with artists and cultural organizations, the permanent exhibition will brighten strolling and shopping in the Centre. This initiative is part of the vision of Bari Japigia Shopping Center, a center that has become an integral part of the neighborhood. The various initiatives undertaken over the years show the strong desire to be part of the daily life of Bari and to develop strong roots in the surrounding area.

A look at Outskirts

A Trigg Pino Pavone of the exhibition from 1 December 2006 to December 17, 2006

Suburbs - looks on our landscape. Friday December 1 to 19 at the Town Hall Trigg (Palazzo Pontrelli) inaugurates an exhibition on the outskirts designed by Pino Pavone.
The exhibition will be open daily until December 17 at the following times: 10:00 to 12:30 / 6:00 p.m. to 9:00 p.m.

The Garden Theatre Babel Kismet

Sunday December 10 21:00 h Css Teatro Stabile d'innovation FVG / civil ballet "The Seven against Thebes" freely adapted from The Seven Against Thebes by Aeschylus;

Special Project 19 / 21 January h 21:00 Study on Medea Friday 19 21:00 h Chapter I Medea & Jason Saturday 20 h 21.00 Chapter II Medea & Sons Sunday 21 h 18.00 Chapter I, Chapter II 20:00 h and 22:00 h Chapter III Medea DeaAntonio Latella dramatic development director Federico Bellini Antonio Latella by Nicole Michele Kehrberger Andrei, Joseph Lanino, Emilio Vacca music Visioli lights Giorgio Franco Ripa Cervesi costumes Future Rosa, Tobias Marx Anna Bertozzi photos assistant director and choreographed movements to German Rosario;

Wednesday, February 28 and March 2 and 1 h 20.00 c / o the test room at Teatro Kismet Opera Fornelli AA B. Samuel Beckett in the first study Lello Germans;

meeting Friday, March 16 17:00 h c / o CUTAMC str. S. James - Borgo Antico Imaginary Pasolini Motus video materials will be screened;

Wednesday 2, Thursday 3 and Friday, May 4 20:00 h c / o the test room to the stove A B. Samuel Beckett final study Lello Germans;

Deep Purple in Andria

For Andria March 13, 2007 The

March 13 came the next "Deep Purple", the classic hard rock band of music. A must for lovers of hard rock, with an international group of the first order who scored memorable pages in the history of modern music. The realization of the concert is curated by Delta Concerts: Tickets cost € 34-50.

Wedding Program Remembrance Wording Samples

^ ^

Gushes Of Blood And Clots During Period

Director: Robert Altman

Cast: Sally Kellerman , Donald Sutherland, Elliott Gould, Robert Duvall , Tom Skerritt, Roger Bowen

Genre: Comedy

Length: 116 minutes

Production: USA 1970

Plot: The film tells the story of team of surgeons at a hospital military discipline if they laugh and do not care to go on pain of sanctions, showing all their contempt for the war. Satirical comedy, biting, going beyond the intentions of the same script, lays bare the hypocrisy of an officer during the Korean War. Desecrate everything, including those killed in the dirty war. At a formal level it is a of the great masterpieces of cinema. Altman surprised by the ability to use a realistic language and the ability to assemble together realism and satire, leaving the audience uncertain about the nature of what we are seeing.

Alberto Moravia

Mash, Robert Altman is a war movie that won the prize at festivals in Cannes probably because it is a war movie. Cannes then would become a meeting place for those who once were called "warmongers"? Quite the contrary, the film undoubtedly has been rewarded for being pacifist. Now let's see if this is true and pacifism. According to the students of warfare, the war would be a kind of bloodletting that some countries which have too much of anything (too many men, too much wealth, too many products, too many managers, too many unemployed people, etc.. Etc..) Impose themselves more or less unconsciously. As saying that the wars would not because you do not have anything and want to rob a neighbor, but because it has too much of something and you need to close the iiberarsene. For example, poor countries have too many people while the rich countries have too much wealth. Here are a war ready. Through the war, wealth and population will be "deflated". In fact this has happened in Europe during the last two centuries. The atomic bomb not alter this state of affairs. It would simply be a weapon the size of the masses. But because there is too much of something? It is here that Mash, film apparently bellicose pacifist but in reality, can give an answer. There is too much of anything when there is repression or diversion of energy for aggressive purposes. In Mash tells the story of two surgeons and collegiate revelers, but very good in their profession who, during the Korean War, which occurred in a field hospital, make a mockery of the conventions that are typical of the military society. Their favorite target is a great captain and player of the Bible in the privacy (relative) of its Cabin great hunter of skirts. The captain jumps on a nurse and does not realize a microphone that allows his two colleagues recorded the groans, the loud roars and the agonies of love. Shameless, the captain gives in outburst and is taken away weight all tied in a straitjacket. We said that the repression is at the root of the war. Now between the master hypocrite who is sleeping with the nurses and two surgeons who shamelessly, there is no doubt that they are repressed. We know that the captain pretended to be religious but really loves women, but we have no idea what they love the two surgeons, because they are not hypocrites and do not pretend, and what they do (make the war wounded), I do well and seriously. So in the absence of any other explanation, one has to believe that they do not like women, but only their job which is war. Repressed and efficient, have it with the captain, not because it is hypocritical but because it is repressed and therefore probably is not efficient. Moreover, the film has its own atmosphere reeking of the barracks a mile away. It is not the Prussian barracks, okay, it's the barracks Anglo kiplinghiana, hemingweiana, where jokes and makes fun of the war, but to make it better. The mockery that the two surgeons goliardic combine against their fellow soldiers have always catalyst for sex. But the two allegroni, they are chaste. So militarism manifests itself for what it is: a repression so complete and so profound that you just have to laugh and joke and make war. As always happens in films of the genre, the actors are good but a skill that almost dangerously funny and cliche pseudo-liberating. Donald Sutherland and Tom Skerrit, between a joke and another, until the nose dive in the blood of operating rooms. Seem happy with their good wishes, two obstetricians who preside over the birth of new lives. Actually put their science at the service of what some have called a collective delayed infanticide. That is the war.

Tullio Kezich
The symbol of the Mobile Army Surgical Hospital title means and stands for a surgical field hospital during the Korean War. Screenplay by Ring Lardner Jr. (who was one of the "Hollywood 10" victims of witch-hunting) and directed by Robert Altman (a newcomer to big TV experience), MASH is between Dr. Strangelove and the taste of Luis Buñuel. At least the first half hour the film shows us, with incredible recklessness, transferred into a farcical situation of the surgeons in uniform: there is no taboo militarist Altman does not seem willing to laugh at in no uncertain terms, with a humor black makes me shudder because of its close connection with reality. Do not forget that the U.S. is still engaged in a war in Asia and the distance from the facts that the film tells is only apparent. Unfortunately, the determination of the authors it paves the way, the fantasy falls back on familiar ways of comedy films and aggression in the chaos of a burning structure Sketches. The parody of the Last Supper, taken from Viridian, is misplaced, the bawdy adventures of two characters reminiscent of the good-natured Bili Mauldin cartoons about World War II. Thus arises the legitimate suspicion that MASH is only an updated version of the old farces Torque tube loose military so that he could obtain without diplomatic complications the grand prize at the Cannes Film Festival.

And now it's up to me: Honestly m'è happened to "know" his death, in the sense that yesterday for the first time I saw one of his films, which I have aired on Rete 4 in his honor. Pretty nice movie, beautiful scenes of the cruel and beautiful the way to turn. A good film.

Until next time ... ;)

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Another monster mash ... "The personal Vera"

On 19 November at 12:00 opening of Symphony of Colours, exhibition of Rachel Verroca, aka Vera, all'Archeo Club in Torre a Mare. The exhibition of the painter from Bari will end Nov. 26.

The peculiarity of Rachel Verroca narrative, visual artists is in this analysis of the environment, that puts you one step ahead of the most valuable espressori hyperrealism current landscape.

Of course as soon as I go, and if I may, I will remember to post the photos for the good old Pedro:) Until next time ...

;)

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The body on the edge of myth

It opens Saturday, November 18 at 19.00 the contemporary art event titled "The body on the edge myth "at the Contemporary Art Gallery Geo Bari by Vito Caiati and Dores Sacquegna. An exhibition of works by Fosca (Marcella Fusco). The young artist is from Naples and digital in this latest series - devoted to the mythology with Pasiphae - prepare a series of works consisting of paintings and digital photographs, assembled or as individual images or in diptychs and triptychs.
Canvas-picture are of two types of technical development (manual and digital) that allow the artist to draw the figure of the myth itself, integrating it into modern history, combining well, the event was historic with the media. Objectified by the nudity voyeurism anatomy of Pasiphae is present in these works with haptic interfaces of body-stone body-line body-digital. In this way, the body of Pasiphae shows how bio-material and the presence of this mythological figure in relation to evolving technologies.


Waiting to find time to go there alone , recommend it to everyone ^ ^

the next ... ;)

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Final Destination 3



















Director: James Wong
Cast: Mary Elizabeth Winstead , Ryan Merriman, Kris Lemche , Alexz Johnson, Sam Easton , Jesse Moss, Gina Holden.
Genre: Horror
Length: 115 minutes Production
: USA 2006

Synopsis: Among the most popular series horror of the new millennium, Final Destination comes third episode once again for a bunch of American teenagers escape his fate will not be so simple. After the explosion of Flight 180 crash and the huge highway, being chased by black reaper will be the survivors of an ill-fated roller coaster ride of the devil. Wendy will be with their own visions, to save a group of high school classmates after the accident on the carousel, and thus trigger the chain of deaths post-dated, in strict order of place in sedere.James Wong and Glen Morgan, old acquaintances for fans of X-Files and Millennium, accept the challenge of shooting his own creation after one sequel , in many ways most successful original, return to work for four hands on the idea behind the series. The formula is the same, and here's another teen-full of gore and horror macabre entr'actes ready to double the budget on trust. Although the backdrop of a valuable frame technique, giving desperately to the bottom of what his time was rightly hailed as 'the original concept,' you end up generating sketch stretched to the point that closely resemble the various Scary Movie . The feeling, clearly, is that very little is left to squeeze.

Alex Stellino (Ciak)
With a premonition, the young Wendy (Mary Elizabeth Winstead) escaped a disaster in an amusement park but is convinced that he had only delayed a few days the appointment with death. With the help of a friend (Ryan Merriman) try to track down all the other survivors to warn them. The director is the same as the first Final Destination and yet the mechanism is always the same (instead of the plane this time we are the roller coasters), but the result changes. Also because the representation of a Death doggedly determined and ingenious begins to show the rope. You save just a few particularly gruesome scene, but all around it is empty of ideas. If ever there must be another sequel, best to think directly to the home video market. This already there on the big screen is off.

Mariarosa Mancuso (The Gazette)
Death is furious. It does not have a point. He wanted to do a job clean in one fell swoop by getting rid of several young students rather unpleasant. Perfect plan: a roller coaster with some loss in the safety circuit, a cart with wheels stuck in the air, the straps do not hold up the seriousness. If all goes well fall on deaf ears, if it goes wrong you will be split in two. Because of one idiot who sees in the future, the fatal drawing is sabotaged. The girl screaming down from the carousel, and with it go the other predestined. Now the lady with the scythe needs to catch them one by one (was not so hard to establish itself since, in the "Way of Life" by Monty Python because of the sickle was requested as a gardener assigned to the lawn), and kill with makeshift equipment: a tube of cream that is empty and blocks a door, a cold drink placed on a thermostat, the vibration of a cell phone, a bit 'nail forgotten about, decorative swords, tanning lamps. Combining with a little 'of experience, can the same deadly trap, but we understand that a beautiful murder provides greater satisfaction. Aesthetics, first of all. Not to mention the time saved (we knew that the lady in black never went on vacation, now we find that piece workers). What's more, the schoolboys begin to smell something, then try to ward off the blows. Through a series Photographs of predicting the future (in one click you can see the shadow of the Twin Towers on a plane, and yet we can not understand why the album was finished). Death is also furious because it is already the third time that they make the same joke, and she always falls. In the first - received $ 50 million - those about to die down at the last moment from a plane destined to crash. In the second - received $ 40 million - those about to die escaped a car crash, including trucks with trailers, and tanks with flammable liquids. The third episode will cash a bit 'less, because now the surprise is missing. The death must have lost patience. It ceases to work. Instead of accidents servants, who become uneasy doing the dangerous hairpins and key chains, and recourse to explosives frightened horses.

And now it's up to me: As might like bloody types of films in general, this seemed very m'è along the lines of others, I would assume.

the next ... ;)

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World Trade Center



















Director: Oliver Stone
Cast: Nicolas Cage , Michael Peña, Maggie Gyllenhaal , Maria Bello, Stephen Dorff , Jay Hernandez, Michael Shannon
Genre: Drama
Length: 129 minutes Production
: USA 2006

Plot: A ticking of a clock marking the time. Everything moves in New York, working, smiling, lives. Suddenly a dull sound, mute. Start the hell. JJ Mc Loughlin (Nicholas Cage), head of port police officers, entered the towers to save the thousands of people trapped in the World Trade Center. The unforgiving minute run. Unexpected, a terrifying roar shakes them. The first tower collapses. After several minutes the second. Mc Loughlin and Jimeno are trapped agent under the rubble, with no way out. This is the true story of their September 11, 2001. "God bless America." Yes, "God bless the United States." This is Oliver Stone's vision of that terrible day, indelible in the minds of all Americans. On 11 September was, in fact the only "act of war" perpetrated on U.S. soil. The film, based on the stories of two policemen who survived, told the human and universal than people injured (the iconic aerial photograph of Manhattan, with smoking, such as blood, which comes from the towers) and represents the darkness of the rubble of the Twin Towers, as if it were in the jungles of Vietnam, which Stone has experienced first hand. Nicholas Cage is not very far by those soldiers who, to defend their country, they were getting into something greater than themselves. The terrible moments in the darkness, the dirt on the faces, the rubble, are opposed to the celestial brightness of the faces of families waiting (Maria Bello in the film Mc Loughlin's wife, has for the first time blue eyes) and memories that go quickly before the eyes of the characters, to tell us not to go to hell you must have a guardian angel. This parallel system, sometimes mannered, reduces the emotional impact, which is still very strong for the effective interpretation of Nicholas Cage and Michael Peña.World Trade Center is the manifestation of what has been for a people that day, American, which attaches great importance to the values \u200b\u200bof friendship, love and family. And Oliver Stone is, even before being a filmmaker, a U.S. citizen.

Scorcucchi Francesca (Il Mattino)
will be a work of collective passion, a deep meditation on what happened that day, full of compassion. American will be the exploration of heroism and humanity of the world in the face of tragedy. " Oliver Stone's comments on his latest film, whose production began a few days ago in New York, one of the most anticipated films and feared the recent history of Hollywood: the film Sept. 11, whose output was announced on July 11 and August 11 which will be released next year. The number eleven occurs with alarming paroxysm. This is just a combination? Certainly it's no coincidence the decision to release the film a month before the fifth anniversary of the most painful tragedy in American history. "The film would never be able to leave on the day of the anniversary to avoid giving the impression of wanting to exploit the event," he told 'Variety' Wayne Lewellen, head of Paramount studios, which will produce the film. The delicacy of the subject meant that the first shooting was preceded by months of meetings with the New York community and the families the victims. Scenes the collapse of the towers will also turn away from New York, in large warehouses at Paramount in Los Angeles. The real images of that day will pass only in television sets, placed against the background of some scenes. Managers have promised utmost respect and attention on a subject so delicate. "It will not be in style" Titanic "or" Towering Inferno, '"said executive producer Michael Shamberg, but relatives of the hundreds of victims are not entirely certain of the goodness of the initiative. "I hope you will use a certain effect, although I do not know how they will avoid offending the sensibilities of those who, like me, were directly affected," said the New York Times' Lee Ielpo, who lost his son in the attack firefighter. The film will star Oscar winner Nicolas Cage, does not have a title. What is known is that it tells the story of two police officers, John McLoughlin and William J. Jimeno, who were pulled alive from the rubble last of the World Trade Center. Cage will play Sgt McLoughlin of the Port Authority, who spent 24 hours with Mr Jimeno before being saved. Then they cried to the miracle of miracles, and now John and William are told by the director who best knew how to paint the other crucial moments in recent American history, the director of "Platoon," "Born on July 4" and "JFK." "Maybe someone will suffer but it was time that tell the story of people who were at the World Trade Center the day of the attack - said the real Sergeant McLoughlin - That tragedy prompted the Americans and people around the world to work together to help those who needed help '. Jennifer Brown, was responsible for rebuilding Ground Zero in Los Angeles, is sure that "As soon as people realize that what we want to do is just tell a particular story, that the officers McLoughlin and Jimeno, then we will support." Stone's film was the first starting with the shooting, but will not be the first to appear on the big screen. Flight 93, directed by Paul Greengrass, the director of Bloody Sunday (the film that told a different dramatic story, the one on the 1972 Irish protest that ended with a massacre by British troops) is set for release in April or perhaps May, tells "Variety" at the Cannes Film Festival. The project, in fact, does not require long lead time, only forty-day shoot to tell in real time, ninety minutes, what happened on the fourth plane hijacked that fateful morning in 2001, that crashed in a Pennsylvania field after an act of courage on the part of passengers. The film begins as the story of the hijacking to proceed with the discovery by some passengers through the phone, that other planes had been hijacked that morning and were launched against the World Trade Center and the Pentagon. The news did take passengers to the heroic decision to sacrifice their lives and bring down the plane before it could reach Washington. The script of Flight 93, which currently sees only the young actress cast in the Canadian Meghan Heffern, will be partly improvised and Greengrass provides for the use of cameras in hand to give the film a more realistic cut. "I think sometimes - says the director - looking as clearly and objectively as possible to a single event, you can find in its folds something very precious, something much bigger than the event itself: the DNA of our times '.

Lietta Tornabuoni (La Stampa)
The tragedy of 11 September 2001, the air attack on the Twin Towers in New York and killed over 3,000 people, Oliver Stone has done with World Thade Center (out of competition) a film without terrorism, no plots, without emphasis, without politics (there is a moment that Bush made his telediscorso the nation but no one notices, is like an ashtray). A patriotic film and not the presidential or government, inspired by the American myths of heroism: individualism, altruism, defending his family. In the film the attack seems like a natural disaster, an earthquake. No hero is taking up or bursts, no flag waving. Pinned by the weight of the debris falls on them, two men can do only what is allowed to remain alive in our time por: keep awake, to resist. If there is a film to which World Trade Center in some way resembles, it's The Red Badge of Courage by John Huston, based on the novel by Stephen Crane. The film is then archetypal as an illustration by Norman Rockwell. And 'the dawn rose in New York, in homes ringing the alarm, the men of the port police get up to go to work, the city is empty, quiet and bright. Later came the news, the cops Bard in a hurry with helmets, backpacks, bottles, seen from the window of the bus survivors, the wounded, smoke, fog and dust. On the spot, they hear the roar of other collapses. Not all volunteers are proposed to save the hit. Indeed, few people follow the sergeant. Still, up to two (Nicolas Cage, Michael Pena) are victims of aftershocks, landslides, fire, rubble paralyzed, they can only talk to each other in the dark, suffering from thirst and lack of air, hope to be saved. Their images alternate with those of households waiting for them trying not to give in to despair. One of the buried thinks she sees the ghost of Jesus women (blonde, brown, black and white) will save abbracciano.Li, with many difficulties. Authority makes a speech: "This incident has highlighted that there are men ready to help other people only because it is a good thing. " The dramatic instinct of Oliver Stone calibrates the time very well, his skill as a director makes the initial part of the film very effective. Sometimes exaggerated, you know. Invent a character symbolic too: a young marine, tall and strong in uniform walking alone in the rubble with the authority of a saint, feels the calls of buried alive, it directs the recovery and walks away, goes to Iraq, where even "Men are smart." But the discouragement of the director for the dead and the living sounds sincere, not offensive: the controversy of some combination of blacks who had accused Oliver Stone had used a white actor instead of black seems to fall. The quality of players we can say little, except insofar as the acceptance of real estate play in the dark is not even that, a quality.

And now it's up to me: Apart from the criticism of Stephen and the scene of the "water vision" to me this film is not sorry, of course, very good Nicolas Cage.

the next ... ;)

Interesting Fact On Metabolic Syndrome

Here Turin: The equation Picasso, Dubuffet

20 October 2006 - January 21, 2007

Bricherasio building houses for the first time in Italy, the Foundation's collection Jean and Suzanne Planque: The exhibition, curated by Florian Rodari, about 100-130 showcases paintings and drawings of the greatest artists of the first half of the twentieth century. The collection, along with extraordinary coherence and heterogeneity of the works, patiently collected over fifty years of life, expressed in full the outstanding quality of the eye of Jean Planque and pays tribute to the various nuances of his sensibility. Extraordinary collection of masterpieces, this collection is worthy of great attention to the caution of the choices made by the collector and for the rare delicacy of certain works. The public will have the opportunity to admire the work of the most important Masters of Modern Art (by Cézanne, Picasso, Degas, Bonnard, Van Gogh, Rouault, Dubuffet, Klee), which provided will appreciate the effectiveness and depth of the pictorial language, comparing it with the new search expression, which breaking with the academic nature imposed by tradition, will open its doors to the experimentalism that characterized the entire production of figurative successivi.Nel years during his systematic survey of the most prestigious exhibitions in galleries in Switzerland and Paris in search of masterpieces to be purchased for Beyeler Gallery, Planque was able to give us a few more paintings and drawings by impressionists such as Gauguin, Van Gogh, Degas, Monet and Renoir. The special relationship with the city of Paris, which has attracted the art, gives body to a substantial collection of works by French artists, Braque, Dufy, Léger by Delaunay. Finally, the collection boasts two prestigious collections of works by Picasso and Dubuffet, Jean Planque great friends. Having "the most beloved paintings that life is a kind of policy statement which Planque justifies his irrational and passionate approach to art. That same energy and enthusiasm that the ransom cultural arm of someone who has "done everything myself, from scratch, without culture, without economic means." A fabulous destiny that has allowed him to become, thanks encounter with the great art dealer Ernst Beyeler in Basel, connoisseur of fine works of great masters of the avant garde movement, but also to meet and become friends with many artists. His, however, is not intended only as a merchant's career, but his fate is also a collector's animated by the desire to acquire, preserve and protect as many of the most beloved works of artists of the time, and avoid that the spiritual dimension of art is too contaminated by the material more of a market economy. The total dedication to a single passion, the knowledge of having given up a bright future to follow the irrational impulse him to knock on the door of the tunnels, to buy his first canvases, to converse with the most representative artists of his generation, does nothing but increase the charm of melancholy and singular figure in some ways exceptional Jean Planque. Specifically

-Picasso Dubuffet ...

Two groups of works, curiously symmetrical stand out on the rest of the collection Jean Planque. Picasso and Dubuffet are each represented by about thirty pieces, spread in time - 1917 to 1970 with regard to Picasso, from 1949 to 1984 to Dubuffet. Formed from the forties, and especially the beginning of his collaboration with Beyeler in 1954, the collection Planque continued to enrich themselves even after the end of this association, in 1972, for example with the acquisition of Psychos, Mire and a Non-lieu of the last years of Dubuffet. How judge's insistence that look parallel on these two great artists? Opposites in everything you say if, on closer inspection, turn out to be, with the help of the notes and memories of Jean Planque, secretly woven dialogue, relations are not immediately visible that united the two workshops, through 's lover who was allowed into the unit (sometimes) as in the (very often). His relationship with Dubuffet, who knows and who contributes to "discover" in the middle the fifties and which soon will establish a deep bond of friendship is different, however, from the beginning, from the Picasso, which gives (after 1960) to its utmost sincerity the rare privilege of a few long talks in his studio , in front of his works. In both cases, immediately shoot the spring of the fascination of involvement.

the next ... ;)

Marithe & Francois Girbaud Outlet

Found 2 puppies!

Anyone interested contact me via the blog !!!!!

Until next time ... ;)

Disadvantage Of Water Cooled Engines

Here Milano: Happy Birthday Rembrandt


8 November 2006 - November 9, 2006

"Four hundred years and not hear," we would say today.

Many in fact they made this year Rembrandt Harmensz van Rijn (born in Leiden in 1606) and the fame of his genius continues unabated, even birthday celebrations for this multiply through exhibitions and publications worldwide.
Rembrandt produced about 370 etchings, most of which engraved directly on the copper plate without the aid of a preliminary design.
The exhibition of modern and ancient engravings that Valeria Bella Gallery exhibits from 8 November to 9 December with a rich catalog, features six etchings of the Dutch master, all of great rarity (if you know a few specimens in the world) and high-quality as difficult today to see.

They are:

the village with his hands behind his back
The beggar with his hat high
The great Jewish bride
Landscape with Obelisk
St. Jerome in His Study
Studies heads

Still in the field of rarity between the gallery has many interesting prints, two chisels of '400, a St. Agnes van Meckenem by Israel, The Death of the Virgin of Martin Schongauer, and a engraving of the '500, Rhino Enea Vico , curious and also very rare print of "the first specimen of this species to be seen in Europe since Roman times."
For modern well represented, "side" with Italian Boccioni, Campigli, Fattori, Marini, and Morandi, and the north of the Alps and more with Heckel, Kollwitz, Müller, Munch and Nolde.


and it shows how sad: (


Until next time ... ;)

William Rogers Butter Knife

Here Bologna: the changing dance incisions


31 October 2006 - January 29, 2007
In 2006, during celebrations for the 400th anniversary of the birth of Rembrandt also the Museo Morandi want to pay homage to the great Dutch artist, considering the constant interest Giorgio Morandi addressed primarily to his art of engraving.
The Bolognese painter had in fact five etchings by Rembrandt, four of which are now kept at the museum, also was held to date publications on the subject, to study carefully, though it was written in English, the monograph by Ludwig Münz on Rembrandt's etchings in the output 1952.
The exhibition is curated by Marcia Faietti, Director of Prints and Drawings of the Uffizi and the result of collaboration with the Institute in Florence where, in addition to the notes of Rembrandt etchings, engravings are preserved many of Giorgio Morandi donated the last of her sister ' artist. Morandi
For the engraving activity, which was a lecturer at the Academy of Bologna from 1930 to 1956, it was not a marginal or episodic practice compared to the work of painting, like Rembrandt, moreover, that recorded especially among 1626 and 1665. In an interview
Morandi stated a preference among the engravers, those "who are also artists [...] especially as Rembrandt and Goya." It does not seem
random so that Morandi was devoted to a technical "old" like Rembrandt etching and used a press like that of oak wood, now kept in a room of the museum.
For these reasons, the selective and annotated exhibition housed in the octagonal room of the Museo Morandi will deepen the relationship through the visual similarities between the works of the two engravers, including confirmation and verification of the studies made by Lamberto Vitali onwards. In the first tests of engraving
Morandi, started around the twenties, the technical and formal references to the great Dutch master are very explicit, though in a very free interpretation and original.
The two artists belong, in fact, two worlds and two sensitivity very different but they share the flexibility of the sign and the continuous variation of the track.
The exhibition will show 33 etchings by Rembrandt and Morandi in comparison reveals similarities in the techniques though very precise iconographic juxtapositions far away.
Morandi's attention to Rembrandt is also evidenced by the presence in his library volumes of some Dutch artist to be exhibited.


But when I see shows here? Even more sad ...
Pedro course advice:) Until next time ...

;)